African and African American theatre: past and present

Main
Arts - Performing Arts
African and African American theatre:...

African and African American theatre: past and present

Mid-America Theatre Conference., Justice-Malloy, Rhona

0 / 0

How much do you like this book?

What’s the quality of the file?

Download the book for quality assessment

What’s the quality of the downloaded files?

Categories:

Arts - Performing Arts

Year:

2010

Publisher:

University of Alabama Press

Language:

english

Pages:

301

ISBN 10:

0817371079

ISBN 13:

9780817371074

Series:

Theatre history studies 30

File:

PDF, 5.64 MB

IPFS:

,

english, 2010

Read Online

Conversion to is in progress

Conversion to is failed

You may be interested in

Awam Amkpa — Theatre and Postcolonial Desires (Routledge Advances in Theatre and Performancestudies, 1)

Osita Okagbue — African Theatres and Performances

Samuel A. Hay — African American Theatre: An Historical and Critical Analysis

Errol Hill — The Theatre of Black Americans: A Collection of Critical Essays

Kathy A. Perkins, Sandra L. Richards, Renée Alexander Craft, Thomas F. DeFrantz — The Routledge Companion to African American Theatre and Performance

Kene Igweonu, Osita Okagbue — Performative Inter-actions in African Theatre 3: Making Space, Rethinking Drama and Theatre in Africa

Kene Igweonu, Osita Okagbue (eds.) — Performative Inter-actions in African Theatre 1: Diaspora Representations and the Interweaving of Cultures

Kamal Salhi — African Theatre for Development

Kene Igweonu — Trends in Twenty-First Century African Theatre and Performance.

William W. Demastes — Realism and the American Dramatic Tradition

Bermel, Albert; — Artaud's Theatre of Cruelty

Valerie Traub; — The Oxford Handbook of Shakespeare and Embodiment

Bermel, Albert; — Artaud's Theatre of Cruelty

Robert C. Evans; — Othello: A Critical Reader

Hinds H.E. Jr., Motz M.F., Nelson A.M.S. (eds). — Popular Culture Theory and Methodology: A Basic Introduction

coll. — No Safe Spaces: Re-casting Race, Ethnicity, and Nationality in American Theater

Valerie Traub (editor) — The Oxford Handbook of Shakespeare and Embodiment: Gender, Sexuality, and Race

Jeffrey H. Richards, Heather S. Nathans — The Oxford Handbook of American Drama

Don Rubin — World Encyclopedia of Contemporary Theatre: Asia / Pacific

Alan Sinfield — Textual Practice: Volume 9 Issue 2

Catherine Burroughs & J. Ellen Gainor — The Routledge Anthology of Women’s Theatre Theory and Dramatic Criticism

Don Rubin, Peter Nagy, Philippe Rouyer — The World Encyclopedia of Contemporary Theatre: Europe, Vol. 1

Angela C. Pao — No Safe Spaces Re-casting Race, Ethnicity, and Nationality in American Theater

Jonathan Kalb — Great Lengths: Seven Works of Marathon Theater

Brenda Murphy — The Cambridge Companion to American Women Playwrights

Shaun Richards — The Cambridge Companion to Twentieth-Century Irish Drama (Cambridge Companions to Literature)

Don B. Wilmeth, Christopher Bigsby — The Cambridge History of American Theatre: Volume III: Post-World War II to the 1990s

Emma Smith — Shakespeare's Tragedies: A Guide to Criticism (Blackwell Guides to Criticism)

Michael Mark Chemers — Ghost Light: An Introductory Handbook for Dramaturgy

Demastes, William W — Realism and the American Dramatic Tradition

Rhona Justice-Malloy — Theatre History Studies 2009, Volume 29

Marc Maufort — Staging Difference: Cultural Pluralism in American Theatre and Drama

Barbara Ozieblo, María Dolores Narbona-Carrión (eds.) — Codifying the National Self: Spectators, Actors, and the American Dramatic Text

Kim Solga — Theatre and Feminism

Maria M. Delgado — Contemporary European Playwrights

John. M Mucciolo, William R Elton — The Shakespearean International Yearbook: Where are We Now in Shakespearean Studies?

David Krasner — A Companion to Twentieth-Century American Drama

Albert Bermel — Artaud's Theatre of Cruelty

Anne Marie Hacht — Gale Contextual Encyclopedia of World Literature

Lindsey R. Swindall — Paul Robeson: A Life of Activism and Art

Robert Shimko, Robert Shimko, Sara Freeman — Public Theatres and Theatre Publics

Robert C. Evans (editor) — Othello: A Critical Reader